My favourite Margaret Atwood Quote/War Cry
Kerry Cue is a humorist, journalist, mathematician, and author. Her latest book is a crime novel, Target 91, Penmore Press, Tucson, AZ (2019).
My favourite Margaret Atwood Quote/War Cry
Kerry Cue is a humorist, journalist, mathematician, and author. Her latest book is a crime novel, Target 91, Penmore Press, Tucson, AZ (2019).
4. Humour
Some thoughts on writing humour. It’s a tricky business. Current events can instantly kill humourous writing. If you write a funny piece about fear of flying, say, then a plane crashes, the article crashes too.
Readers can take personal affront to a joke. I once wrote a funny piece alleging that the group KISS were a band of aging rockers. They did wear those platform heels. Could be a bit dodgy as you age. I received quite a few outraged emails. The KISS army is out there somewhere still loyal and still marching on. Age shall not weary them, apparently. I’ve had highly critical letters stating that my writing lacked the restraint necessary for a civilised society. I didn’t realise I could cause the collapse of Western Civilisation by including the words ‘pissing yourself’ in an article.
But more than anything I loathe with a passion the HUMOUR section in a bookshop.
5. Rights
Some thoughts on Copyright. It is a tricky business. For instance, fair use laws apply in Australia for extracts and quotes, but what does this mean to a professional writer? (See Australian Copyright Council link below for detailed information) As a freelance author and journalist for over 30 years I am both the owner and user of copyright material.
Books and Newspapers: Can publishers rip off ideas you have pitched to them? Yes! Ideas aren’t protected except for the exact wording. In the early days I’d pitch an idea to an editor, who’d reply ‘We’ve already got someone on that story.’ As if they already had someone on a story about using car parts as garden features, an Aussie peculiarity.
Newspapers: Can articles be published without your permission? Not legally. Although I was a freelance journalist and other imprints in the newspaper group assumed I worked in house. If I found out they had published an article in print I asked to be paid. About 2/3 of original fee. Less for smaller magazines.
Online: I’ve had my own articles emailed back to me in a chain letter without my name on it. That’s what annoyed me the most, a friend sending me a chain funny saying ‘You’ll like this.’ ‘Yeah! I bloody wrote it.’
RULE OF THUMB: If your work is used in a commercial product of any form you should be paid unless you have waived the fee.
https://www.copyright.org.au/…/An_Introduction_to_Copyright…
COPYRIGHT USE: I’ve had a substantial quote used in a VCE year 12 exam. They didn’t ask for permission. But, maybe, for the sake of all students I should have asked for money to inflict some reverse pain on the examiners. Ha!
Recently, I was asked permission for a quote of mine to be used on a brass plaque in a bar in Malta. I didn’t think they needed permission, but I appreciated the request and, if I get to Malta, I reckon there’s a free drink waiting for me.
6. Editors
In the beginning I argued with editors. The phrase ‘shivering like a new born foal’* in my first book arrived in the galleys as ‘shivering like a new born chicken.’ I was outraged, reinstated ‘foal’, to discover in print I’d written ‘fowl’. I’ve woken up in a cold sweat when, during the Iraq invasion, I wrote about friends who became ‘ dessert warfare ’ armchair experts. I was saved that time. A newspaper editor didn’t save me from ‘Bass Straight’. It appeared in the banner heading too. As I’m a humorist, they probably thought it was a joke. On the other hand, I’ve had a book editor insist that a character cannot walk ‘ through the door ’ but must walk ‘in at the door.’ Perhaps she was technically correct. I don’t know, but it sounded horrible. She added about 90 @s to the MS. I took them out and sent her an email with the 90 @s. I don’t see myself as the hissy fit type. Note to Self: Be more gracious or shut the FU. We writers often assume our copy is perfectly clear to others. It may not be. Now I’ll go all Jerry McGuire in the sting. To all my editors, who have saved me from my own arrogance or ignorance over the years, a big belated ‘thanks’.
No. 7
In 1982 I had my first book and first article published as well as my first baby. Much has changed on all fronts since then including a 6’2” baby. I know how to get published (See below) as a freelance but, like all paying endeavours, you can be seduced into following the money trail. I became a freelance journalist and earned a reasonable living but it’s taken me 30+ years to write my first novel. Could I have written a novel earlier? Maybe. Then again a 30+ year writing apprenticeship is a good preparation for a novelist. I can’t tell you what path to follow, but I can tell you how to earn money from writing.
No. 8
Just a few words on the bitter reality of rejections. After 35 years of writing, you acclimatise, I guess. One time, however, a newspaper editor rejected one of my articles. I heard he was going on leave. So I sent the piece back to the same section of the newspaper. He didn’t go on leave. And he published the piece. What does this mean? Sometimes they don’t read your copy, not even the title or your name before rejecting your work. Keep that in mind the next time you get a rejection.
No. 9
Signings are hellish. Once I did a bookshop signing in Sydney after tennis great Evonne Goolagong Cawley! She was exhausted. I can only say ‘Heavens be praised! I have a short name’. Kids, however, are funny. At a school talk or a library event they’ll run up to you with a piece of paper torn from an exercise book and ask ‘Can I have your autograph? Who are you?’
I’ve been a professional writer for 30+ years. I have 2 books coming out soon. A satirical novel on American Gun Culture, TARGET 91, to be published 2018. And a non-fiction with Doris Brett next year by a local mainstream publisher. Just some thoughts for younger writers apart from KEEP WRITING!
When you arrived at the old Channel 9 studios in Bendigo St, Richmond, and walked into reception on your way to a morning show interview or live cross, the receptionist would ring through to some studio lackey announcing ‘the talent’s here’. That’s how much the TV studio staff cared about performers. No name. Just THE TALENT. The carpark had a sign that read ‘PARKING FOR STAFF AND TALENT’.
I always imagined the Channel 9 carpark teaming of jugglers, violinists and ballerinas on their way to and from some show.
Working for newspapers, publishers and radio shows I did not come under pressure of having to worry about the ANONYMOUS THEY. This pressure to perform or conform only applied to TV, a visual media. But we are all in the visual (social) media today in some form or other.
I ask again ‘who are you trying to please, impress or entertain?’ I was so critical of myself 30 years ago. Here are some more clips from the vault. And 30 years ago I was so critical of myself because I worried too much about the ANONYMOUS THEY.
Judge for yourself.